From The Drawings of Hans Bellmer by Hans Bellmer (with introduction by Constantin Jelenski), 1972
Playing Frisbee Indoors by John Seven
Untitled (The Eyes) by Hans Bellmer, 1961
(See sketch/variation at frenchtwist)
Analogies by Hans Bellmer, 1968, based on a 1944 drawing
(Sketch for this piece here)
Untitled (Jeune fille bicéphale assise) [Seated Double-Headed Girl] by Hans Bellmer, 1934
(Variation on this image)
Untitled by Hans Bellmer, 1958
"And didn’t the doll, which lived solely through the thoughts projected into it, and which despite its unlimited pliancy could be maddeningly stand-offish, didn’t the very creation of its dollishness contain the desire and intensity sought in it by the imagination? Didn’t it amount to the final triumph over those young girls – with their wide eyes and averted looks – when a conscious gaze plundered its charms, when aggressive fingers searching for something malleable allowed the distillates of mind and senses slowly to take form, limb by limb?
Fit one joint to the other, swivel the ball-joints full circle and test them for childlike poses, gently trace the hollows, savour the pleasures of the curves, stray into the opening of an ear, do pretty things while simultaneously scattering the salt of deformation with a hint of vengeance.
Isn’t that the solution?”
— Hans Bellmer, The Doll
Pierre Molinier - La Communion d’amour, 1968-1971.
(… from Pierre Molinier by Jean-Luc Mercie, les presses du reel 2010, pg.16)
Stills from a performance for camera, inspired by the photographs of Unica Zürn taken by Hans Bellmer
"The disruption of body parts has an important function for Bellmer. He is fascinated by the ‘bubbles’ of flesh that are created and the inability of the mind to understand what it sees. For Bellmer ‘the imagination derives exclusively from bodily experiences’ and language is hardly sufficient to describe ‘the interoceptive images of the body’. It is the places where the viscera intercept with desired excitation that he is interested in unveiling. These could be any point of focus where desire is submitted to by an internal impulse leaving the rest of the body to disappear or be displaced.”
— Miranda Argyle, Hans Bellmer and The Games of the Doll
Woman with Whip from the series Venus in Furs by Salvador Dali, 1969
The Transformation of the Biological Precepts Into Mental Concepts in Recognising Visual Images by John Seven
Le Bain avec Andromede by Felix Labisse, 1944 [crop]
From set of nine lithographs illustrating poems by Robert Desnos