Rita Hayworth in The Lady From Shanghai (Orson Welles, 1947)

Rita Hayworth in The Lady From Shanghai (Orson Welles, 1947)




Rita Hayworth in The Lady From Shanghai (Orson Welles, 1947)

Rita Hayworth in The Lady From Shanghai (Orson Welles, 1947)




Rita Hayworth in The Lady From Shanghai (Orson Welles, 1947)

Rita Hayworth in The Lady From Shanghai (Orson Welles, 1947)




batarde:

The Lady from Shanghai (Orson Welles, 1947) (via finestrasulcortile)
Watch here.

batarde:

The Lady from Shanghai (Orson Welles, 1947) (via finestrasulcortile)

Watch here.




Rita Hayworth in The Lady From Shanghai (Orson Welles, 1947)

Rita Hayworth in The Lady From Shanghai (Orson Welles, 1947)




Rita Hayworth in The Lady From Shanghai (Orson Welles, 1947)

Rita Hayworth in The Lady From Shanghai (Orson Welles, 1947)




Rita Hayworth in The Lady From Shanghai (Orson Welles, 1947)
Via bswise

Rita Hayworth in The Lady From Shanghai (Orson Welles, 1947)

Via bswise




Rita Hayworth in The Lady From Shanghai (Orson Welles, 1947)
(et al)

Rita Hayworth in The Lady From Shanghai (Orson Welles, 1947)

(et al)




oldhollywood:

Rita Hayworth & Orson Welles in publicity still for The Lady From Shanghai (1947, dir. Orson Welles)
 
Q. What was the Hollywood reaction generally to [The Lady From Shanghai]?
Welles: Friends avoided me. Whenever it was mentioned, people would clear their throats and change the subject very quickly out of consideration for my feelings. I only found out that it was considered a good picture when I got to Europe. The first nice thing I ever heard about it from an American was from Truman Capote. One night in Sicily, he quoted whole pages of dialogue word for word.
Q. I guess that’s called being ahead of your time.
Welles: It’s called being in trouble.
-excerpted from This Is Orson Welles

oldhollywood:

Rita Hayworth & Orson Welles in publicity still for The Lady From Shanghai (1947, dir. Orson Welles)

Q. What was the Hollywood reaction generally to [The Lady From Shanghai]?

Welles: Friends avoided me. Whenever it was mentioned, people would clear their throats and change the subject very quickly out of consideration for my feelings. I only found out that it was considered a good picture when I got to Europe. The first nice thing I ever heard about it from an American was from Truman Capote. One night in Sicily, he quoted whole pages of dialogue word for word.

Q. I guess that’s called being ahead of your time.

Welles: It’s called being in trouble.

-excerpted from This Is Orson Welles




Orson Welles and Rita Hayworth in The Lady From Shanghai (Orson Welles, 1947)

Orson Welles and Rita Hayworth in The Lady From Shanghai (Orson Welles, 1947)




Rita Hayworth in The Lady From Shanghai (Orson Welles, 1947) (Also)
Via Moon in the Gutter

Rita Hayworth in The Lady From Shanghai (Orson Welles, 1947) (Also)

Via Moon in the Gutter




Japanese poster for The Lady From Shanghai (Orson Welles, 1947)

Japanese poster for The Lady From Shanghai (Orson Welles, 1947)




The Lady From Shanghai (Orson Welles, 1947)
(More here and over at unbearablevision)

The Lady From Shanghai (Orson Welles, 1947)

(More here and over at unbearablevision)




Rita Hayworth in The Lady From Shanghai (Orson Welles, 1947)
Via bswise

Rita Hayworth in The Lady From Shanghai (Orson Welles, 1947)

Via bswise