See also film blog for poncy celebration of nuns without clothes.

28th November 2012

Photo reblogged from unbearable vision with 272 notes

unbearablevision, experimentalcinema:

Inauguration of the Pleasure Dome (Kenneth Anger, 1954)

unbearablevisionexperimentalcinema:

Inauguration of the Pleasure Dome (Kenneth Anger, 1954)

Tagged: kenneth angeranais nininaugration of the pleasure dome1950sfilm stills

Source: praise-of-folly

4th April 2012

Photo reblogged from unbearable vision with 424 notes

unbearablevision:


Inauguration of the Pleasure Dome (Kenneth Anger, 1954)

unbearablevision:

Inauguration of the Pleasure Dome (Kenneth Anger, 1954)

Tagged: film stillsinaugration of the pleasure dome1950skenneth anger

6th January 2012

Photo reblogged from EXPERIMENTAL CINEMA with 58 notes

experimentalcinema, theparallaxoftime:

Film still from Inauguration Of The Pleasure Dome (1954), directed by Kenneth Anger.

experimentalcinematheparallaxoftime:

Film still from Inauguration Of The Pleasure Dome (1954), directed by Kenneth Anger.

Tagged: film stillskenneth angeranais nin1950sinaugration of the pleasure dome

Source: theparallaxoftime

11th November 2011

Photo reblogged from unbearable vision with 174 notes

unbearablevision:

experimentalcinema,                                                                                                                         thedoppelganger:

Inauguration of the Pleasure Dome, Kenneth Anger, 1952

unbearablevision:

experimentalcinema, thedoppelganger:

Inauguration of the Pleasure Dome, Kenneth Anger, 1952

Tagged: film stillsinauguration of the pleasure domekenneth anger1950s

Source: sleep-period

23rd January 2011

Photo reblogged from unbearable vision with 63 notes

unbearablevision:

fuckyeahexperimentalcinema, mimikasu:

Invocation of My Demon Brother (1969) (via of Scotland)

unbearablevision:

fuckyeahexperimentalcinema, mimikasu:

Invocation of My Demon Brother (1969) (via of Scotland)

Tagged: film stillskenneth angerinvocation of my demon brothershort films1960s

Source: mimikasu

2nd September 2010

Photo reblogged from fette sans with 38 notes

fette:

Photograph by Matthew Stone, Kenneth Anger, 2010. Published in iD Magazine. Via. Via.
And watch his short film commissioned by Missoni F/W 10-11. See also, David Lynch for Christian Dior in Lady Blue Shanghai, 2010.
—
If the muse comes to your bedside, don’t tell her you’ll fuck her later.
Allen Ginsberg. Via.

fette:

Photograph by Matthew Stone, Kenneth Anger, 2010. Published in iD Magazine. Via. Via.

And watch his short film commissioned by Missoni F/W 10-11. See also, David Lynch for Christian Dior in Lady Blue Shanghai, 2010.

If the muse comes to your bedside, don’t tell her you’ll fuck her later.

Allen Ginsberg. Via.

Tagged: kenneth angermatthew stoneiD magazinephotographyb+wallen ginsbergquote

Source: cabrapreta

22nd August 2010

Photo reblogged from unbearable vision with 76 notes

unbearablevision:

fette:

Screen captures from Scorpio Rising, 1964 directed by Kenneth Anger. Top, Via. Middle, Google Video (which streams the film in its entirety!). Bottom, Via. And super large.
—
Sadomasochism has always been the furthest reach of the sexual experience: when sex becomes most purely sexual, that is, severed from personhood, from relationships, from love. It should not be  surprising that it has become attached to Nazi symbolism in recent years. Never before was the relation of masters and slaves so consciously  aestheticized. Sade had to make up his theater of punishment and delight from  scratch, improvising the decor and costumes and blasphemous rites. Now there is a  master scenario available to everyone. The color is black, the material is  leather, the seduction is beauty, the justification is honesty, the aim is  ecstasy, the fantasy is death.
Susan Sontag, in Fascinating Fascism, 1974. Read the whole essay.

unbearablevision:

fette:

Screen captures from Scorpio Rising, 1964 directed by Kenneth Anger. Top, Via. Middle, Google Video (which streams the film in its entirety!). Bottom, Via. And super large.

Sadomasochism has always been the furthest reach of the sexual experience: when sex becomes most purely sexual, that is, severed from personhood, from relationships, from love. It should not be surprising that it has become attached to Nazi symbolism in recent years. Never before was the relation of masters and slaves so consciously aestheticized. Sade had to make up his theater of punishment and delight from scratch, improvising the decor and costumes and blasphemous rites. Now there is a master scenario available to everyone. The color is black, the material is leather, the seduction is beauty, the justification is honesty, the aim is ecstasy, the fantasy is death.

Susan Sontag, in Fascinating Fascism, 1974. Read the whole essay.

Tagged: film stillsscorpio risingkenneth anger1960squotewritingsusan sontagsadomasochismfascinating fascism

Source: fette