Installation view of Narcissus Garden by Yayoi Kusama at the 33th Venice Biennale, 1966
Yayoi Kusama reclining on Accumulation No. 2, 1966
Photograph by Hal Reiff
Kusama’s Peep Show or Endless Love Show by Yayoi Kusama, 1966
Jannis Kounellis, Untitled (12 Horses), 1969.
Yayoi Kusama with Accumulation No.2 at her studio in New York, 1962-1964
Ciclo: Vestígios -
Yayoi Kusama with sculptures in her New York studio, 1963
Yayoi Kusama with Infinity Mirrored Room - Love Forever installed for the 1966 solo exhibition Peep Show/Endless Love Show at Castellane Gallery, New York
Linen Closet by Sandy Orgel, 1972, for Womanhouse
"The Spider is an ode to my mother. She was my best friend. Like a spider, my mother was a weaver. My family was in the business of tapestry restoration, and my mother was in charge of the workshop. Like spiders, my mother was very clever. Spiders are friendly presences that eat mosquitoes. We know that mosquitoes spread diseases and are therefore unwanted. So, spiders are helpful and protective, just like my mother."
Vulpeja enana by Bigas Luna from A fior di pelle
Photograph by Kristien Daem
Première déesse électronique du monde by Friederike Pezold, 1970-1982
Lumia Exotica by Bigas Luna from A fior di pelle
Afrodita / Agittata by Bigas Luna from A fior di pelle