vivipiuomeno:

Hannah Wilke (1940–1993) - So Help Me Hannah, Snatch-shots with Ray Guns, 1978. Gelatin silver print

vivipiuomeno:

Hannah Wilke (1940–1993) - So Help Me Hannah, Snatch-shots with Ray Guns, 1978. Gelatin silver print




From the series Violence by Pia Hakko

From the series Violence by Pia Hakko




Une main brandissant un revolver / Un homme en pardessus et borsalino, de profil, avec son ombre portée sur un mur, brandit un revolver by Roger Parry, 1933-1934




gacougnol:

Richard Kern From “Guns” 1987-1992

gacougnol:

Richard Kern
From “Guns
1987-1992




vivipiuomeno:

Kiss / Panic, 1984 - Black and white photographs with oil tint © John Baldessari

vivipiuomeno:

Kiss / Panic, 1984 - Black and white photographs with oil tint © John Baldessari




frenchtwist:

Ann-Margret by Andrew Lundwall

frenchtwist:

Ann-Margret by Andrew Lundwall



throwherinthewater, gallowhill:

Sebastian Bieniek - Doublefaced No. 23, 2013

throwherinthewatergallowhill:

Sebastian Bieniek - Doublefaced No. 23, 2013




Gun Crazy / Deadly is the Female (Joseph H. Lewis, 1950)




Eri Ishida with Gun, Nice by Helmut Newton, 1992
Also

Eri Ishida with Gun, Nice by Helmut Newton, 1992

Also




Model posing in crime illustration advertisement banned as too undignified for agency’s girls.
Photograph by Nina Leen, New York, July 1948
"…her images are packed with as much violence, sexual tension, and mystery as any David Lynch film. Her photos wouldn’t look out of place next to Cindy Sherman’s on a gallery wall. But, unlike Lynch or Sherman, Leen found tension in the real world, and her subjects weren’t actors—they were just everyday people living out their lives."
— James Pomerantz, The Surreal World of Nina Leen

Model posing in crime illustration advertisement banned as too undignified for agency’s girls.

Photograph by Nina Leen, New York, July 1948

"…her images are packed with as much violence, sexual tension, and mystery as any David Lynch film. Her photos wouldn’t look out of place next to Cindy Sherman’s on a gallery wall. But, unlike Lynch or Sherman, Leen found tension in the real world, and her subjects weren’t actors—they were just everyday people living out their lives."

— James Pomerantz, The Surreal World of Nina Leen




Cover of Slow Burner by William Haggard, 1965 Photograph by Peter Laurie

Cover of Slow Burner by William Haggard, 1965 
Photograph by Peter Laurie




frenchtwist:
Le genie de l’espece by Wolfgang Paalen, 1938 [T]he surrealist use of bones as material in connection with war and destruction becomes evident in Wolfgang Paalen’s 1938 bone pistol Le Genie de l’Espece, dating from the eve of the Second World War. In this work, chicken bones simulate the shape of the deadly weapon in the moulded trough of a velvet-lined pistol casket. Cause and effect seem to be coalesced in a matrix - the bones, arranged as a fantastic firearm, present death as the deliberate intention and inevitable result of the use of weaponry and are thus meant as an unmistakeable warning of conflict resolution by force. [ftp]

frenchtwist:

Le genie de l’espece by Wolfgang Paalen, 1938

[T]he surrealist use of bones as material in connection with war and destruction becomes evident in Wolfgang Paalen’s 1938 bone pistol Le Genie de l’Espece, dating from the eve of the Second World War. In this work, chicken bones simulate the shape of the deadly weapon in the moulded trough of a velvet-lined pistol casket. Cause and effect seem to be coalesced in a matrix - the bones, arranged as a fantastic firearm, present death as the deliberate intention and inevitable result of the use of weaponry and are thus meant as an unmistakeable warning of conflict resolution by force. [ftp]



Untitled by Thierry Tillier from Ce que l’oeil voit et convoite, que ta main s’en saisisse, 2003
Also

Untitled by Thierry Tillier from Ce que l’oeil voit et convoite, que ta main s’en saisisse, 2003

Also




frenchtwist:

Schizophrenia from An Exorcism by Penny Slinger, 1977Also

frenchtwist:

Schizophrenia from An Exorcism by Penny Slinger, 1977

Also



Le Secret d’alchove / Le secret à fleur de peau by Marcel Mariën, 1984

Also