Untitled Study for Georges Bataille’s Histoire de l’oeil by Hans Bellmer, 1946
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Untitled Study for Georges Bataille’s Histoire de l’oeil by Hans Bellmer1946

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realityayslum:

Photograph by Klaus Elle for George Bataille's L’Apprenti Sorcier, textes correspondances et documents (1932-1939), Edition Quatre en Samisdat, 2002

realityayslum:

Photograph by Klaus Elle for George Bataille's L’Apprenti Sorcier, textes correspondances et documents (1932-1939), Edition Quatre en Samisdat, 2002




Untitled Study for Georges Bataille’s Histoire de l’oeil by Hans Bellmer, 1946
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Untitled Study for Georges Bataille’s Histoire de l’oeil by Hans Bellmer1946

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“The only element that introduces existence in the universe is death.” — 

Georges Bataille, “Friendship" trans. Hager Weslati in parallax 2001, vol. 7 

(via kirgiakostiredshoes)




my heart is black ink
my sex is a dead sun

[III 87].

— 

Georges BatailleOeuvres Complètes. via Nick Land in The Thirst for Annihilation   

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“I love her neither as an angel nor as a recognizable divinity; the vision of the shattered crystal frees the screaming love within me that makes me want to die.” — 

Georges Bataille, “The Culprit.”

(via batarde)




“This story is violently dominated by tears; it is violently dominated by death.” — 

Georges Bataille, “The Culprit.”

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“A kiss is the beginning of cannibalism.” — 

Georges Bataille

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Sans titre (study for Histoire de l’Oeil) by Hans Bellmer, 1946 
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Sans titre (study for Histoire de l’Oeil) by Hans Bellmer, 1946 

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“she kills me
I divine her”
— Georges Bataille, 24 Fragments from Divine Filth: Lost Writings by Georges Bataille (trans. Mark Spitzer)


Still from The Deadman by Peggy Ahwesh, 1989 (Based on Le Mort by Georges Bataille, the story of Marie and her last night of extremes)
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Still from The Deadman by Peggy Ahwesh, 1989 (Based on Le Mort by Georges Bataille, the story of Marie and her last night of extremes)

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Still from Tears of Eros by Peggy Ahwesh, 1996 "A lexicon in the style of Georges Bataille"

Still from Tears of Eros by Peggy Ahwesh, 1996 
"A lexicon in the style of Georges Bataille"




“That sand into which we bury ourselves in order not to see, is formed of words…and it is true that words, their labyrinths, the exhausting immensity of their “possibles”, in short their treachery, have something of quicksand about them.” — 

Georges Bataille, L’expérience intérieure, translation by Leslie Ann Boldt

(via frenchtwist)




“I know: she is the one that pleases you “to death” now, to death from pleasure. I know because I know all that you have lived. All that you live.” — 

Laure in a letter to Georges Bataille, from Laure: the Collected Writings.

(via batarde)




“I stretched out in the grass, my skull on a large, flat rock and my eyes staring straight up at the milky way, that strange breach of astral sperm and heavenly urine across the cranial vault formed by the ring of constellations: that open crack at the summit of the sky, apparently made of ammoniacal vapors shining in the immensity (in empty space, where they burst forth absurdly like a rooster’s crow in total silence), a broken egg, a broken eye, or my own dazzled skull weighing down the rock, bouncing symmetrical images back to infinity.” — Georges Bataille, Story of the Eye