image from Desert Magazine, September 1957
The Blue Salon Louis XVI 2 and 3 / The Corridor / Ledoux’s Reception from the series Musée Carnavalet by Karen Knorr, 2004-2007
The usual aim of the fable is to teach a lesson by drawing attention to animal behaviour and its relationship to human actions and shortcomings. Animals in fables speak metaphorically of human folly, criticizing human nature. Yet it seems that the nature of Karen Knorr’s work has another aim. In Knorr’s “Fables” the animals are not dressed up to resemble humans nor do they illustrate any explicit moral. Liberated, they roam freely in human territory drawing attenton to the unbridged gap between nature and culture. They encroach into the domain of the museum and other cultural sanctuaries which resolutely forbids their entry.
Indifferent, the animal remains “other”, a stranger to the context in which it is inserted. The animal is not the real subject of the work nor is architecture. Karen Knorr’s work shows us the incommensurable distance between two worlds: raw nature on the one hand and on the other the cultural site which allows nature entry only in the form of a representation. Although peaceful, the intrusion of the animals’ presence subverts the institution. The work highlights the “against nature” character of the museum itself.
Ryan Teall, Fox, Evergreen, Colorado, 11 October 2013
Untitled by Kaometet
Familiars I by Sondra Meszaros, 2010-2011
‘Scotland The Castle of Park in Glenluce’ Juergen Teller Vogue Italia November, 1997
fairy tales by Laura Makabresku
FRANZ MARC. Four Foxes, 1913. Expressionism.
I shall look at you out of the corner of my eye and you will say nothing, said the fox. Words are the source of misunderstandings.
― Antoine de Saint-Exupéry, The Little Prince
Dead Fox by Benjamin Goss
The Tale of the Fox (Irene Starewicz & Wladyslaw Starewicz, 1937(?))
man ray & fox
man ray’s animals on MONDOBLOGO
untitled on Flickr.
Musée Carnavalet, Karen Knorr