Edwige Fenech in Your Vice Is a Locked Room and Only I Hold the Key (Sergio Martino, 1972)

Edwige Fenech in Your Vice Is a Locked Room and Only I Hold the Key (Sergio Martino, 1972)




Edwige Fenech in Your Vice Is a Locked Room and Only I Hold the Key (Sergio Martino, 1972)

Edwige Fenech in Your Vice Is a Locked Room and Only I Hold the Key (Sergio Martino, 1972)




Still from Tautological Cinema by Ewa Partum, 1973-1974
Also

Still from Tautological Cinema by Ewa Partum, 1973-1974

Also




minamata, gallowhill:

Ewa Partum - Tautological Cinema, 1973

minamatagallowhill:

Ewa Partum - Tautological Cinema, 1973




Stills from Tautological Cinema by Ewa Partum, 1973-1974

Watch here

Also

Tautological Cinema is a series of short films made in the paradigm of structural cinema – the movement of the late 1960s which focused on the examination of material factors of a film. Looking into a film as a medium Ewa Patrum concentrates on the notion of automatisation of a film message and the structure of its language. “It’s not dealing with aesthetics” claims the author. “It’s rather a new sort of philosophical practice that operates in the area in which the relation between the film image and the camerawork covers the whole interest in the film itself”. In artistic practice, such ideas can, for instance, take a form of an analysis of how film tape makes its way through a projector, as in the film 10 Metres of Film Tape. A work which stands out is Film by Ewa, which examines different ways of artistic communication and states that the indirect passing of ideas is not possible. “Covering, in turn, her mouth, eyes, ears (meant to manifest that an idea within an artist is not transferable) Ewa Patrum formulates an opinion which is to show the alienation of an author who, creating the art of meaning, cannot fully express the intentional idea. Once it gets materialized against an art medium or gets into the area of someone else’s experience it is distorted and distanced from the original meaning” argues Łukasz Ronduda.




Stills from Satan bouche un coin by Jean-Pierre Bouyxou & Raphaël Marongiu, a short film starring Pierre Molinier, 1968
(Watch here)

Stills from Satan bouche un coin by Jean-Pierre Bouyxou & Raphaël Marongiu, a short film starring Pierre Molinier, 1968

(Watch here)




Stills from Fiat 125p by Zygmunt Rytka, 1975




unbearablevisionroserosette:

Reference to Hans Bellmer in Marquis de Sade’s Prosperities of Vice, (1988, Akio Jissoji).




Gun Crazy / Deadly is the Female (Joseph H. Lewis, 1950)




Femi Benussi and Rita Calderoni in Questa libertà di avere… le ali bagnate (Alessandro Santini, 1971)
From L’alphabet des Lesbiennes, special edition of Playfilm, undated (early 1970s)
Via Au carrefour étrange

Femi Benussi and Rita Calderoni in Questa libertà di avere… le ali bagnate (Alessandro Santini, 1971)

From L’alphabet des Lesbiennes, special edition of Playfilm, undated (early 1970s)

Via Au carrefour étrange




Still from The Deadman by Peggy Ahwesh, 1989 (Based on Le Mort by Georges Bataille, the story of Marie and her last night of extremes)
Also

Still from The Deadman by Peggy Ahwesh, 1989 (Based on Le Mort by Georges Bataille, the story of Marie and her last night of extremes)

Also




Still from Tears of Eros by Peggy Ahwesh, 1996 "A lexicon in the style of Georges Bataille"

Still from Tears of Eros by Peggy Ahwesh, 1996 
"A lexicon in the style of Georges Bataille"




liquidnight:

Kiss Me Deadly (1955, dir. Robert Aldrich)
[via  If Charlie Parker Was a Gunslinger, There’d Be a Whole Lot of Dead Copycats]

liquidnight:

Kiss Me Deadly (1955, dir. Robert Aldrich)

[via If Charlie Parker Was a Gunslinger, There’d Be a Whole Lot of Dead Copycats]




Florinda Bolkan and Anita Strindberg in Lizard in a Woman’s Skin (Lucio Fulci, 1971)
From L’alphabet des Lesbiennes, special edition of Playfilm, undated (early 1970s)
Via Au carrefour étrange

Florinda Bolkan and Anita Strindberg in Lizard in a Woman’s Skin (Lucio Fulci, 1971)

From L’alphabet des Lesbiennes, special edition of Playfilm, undated (early 1970s)

Via Au carrefour étrange




batarde, kawahineaihonua:

Twin Peaks: Fire Walk With Me (David Lynch, 1992)

batardekawahineaihonua:

Twin Peaks: Fire Walk With Me (David Lynch, 1992)