kirgiakos:

André Kertesz , Paris, 1984

:

André Kertesz , Paris, 1984




kirgiakos:

via.varietas:

André Kertész, Paris, Door Distortion, 1984

kirgiakos:

via.varietas:

André Kertész, Paris, Door Distortion, 1984




From the series Hengao by Tetsuro Sato, 2010

A culmination of a ten-year investigation into lenticular manipulation, Japanese photographer Tetsuro Sato presents, in his first New York exhibition, a selection of recent photo-portraits. Influenced by and rebelling against the Japanese phenomenon of the purikura—photo-sticker booths that beautify sitters using cutesy photographic manipulation such as blemish-erasing washouts and eye enlargement—Sato creates his own series of hengao (“funny/strange faces”).

Instead of digital alterations, however, Sato distorts the models’ images through the use of glassware and mirrors.




Distortion n°121 by André Kertész, 1933
Also

Distortion n°121 by André Kertész, 1933

Also




I want you to worship me the way I want to be worshipped / The queen of my fears by solarixx




From Distorted Nudes series by David Lynch [crop]

Also




From Distorted Nudes series by David Lynch [crop]

Also




Temporal Form 10 and 11 by Ansen Seale 




Distortion n° 172 by André Kertész, 1933
Also

Distortion n° 172 by André Kertész, 1933

Also




lamelancoly:

André Kertész - Distortion# 28, 1933

lamelancoly:

André Kertész - Distortion# 28, 1933




Distortion n° 88 by André Kertész, 1932-1933
Also

Distortion n° 88 by André Kertész, 1932-1933

Also




yama-bato:
[ in the midst of great disorder II ]

Silviu and Irina Székely
United Kingdom
via

yama-bato:

[ in the midst of great disorder II ]



Zdzisław Beksiński, 1950-1960
Also 

Zdzisław Beksiński, 1950-1960

Also 




frenchtwist:

Untitled Distortion by Zdzisław Beksiński, 1950-60

Also



regardintemporel:


David Lynch - De la série ” Deformed Nudes “, 2004

regardintemporel:

David Lynch - De la série ” Deformed Nudes “, 2004