“The symbolic view of things is a consequence of long absorption in images. Is sign language the real language of Paradise?” — Hugo Ball, Flight Out of Time


archives-dada:

George Grosz, Measure of a Man, 1951, collage, 17,7 x 11,2 cm, Jerusalem, Israël Museum.

archives-dada:

George Grosz, Measure of a Man, 1951, collage, 17,7 x 11,2 cm, Jerusalem, Israël Museum.




“Always destroy what you have in you.” — Tristan Tzara, Lecture on Dada (trans. Robert Motherwell)


regardintemporel, silvianavarro:

Hannah Höch (1889-1979) Doble exposición, 1924-25.

regardintemporelsilvianavarro:

Hannah Höch (1889-1979)
Doble exposición, 1924-25.




lamelancoly:

Hannah Höch- Zwei gesichtig (Deux confrontés/Two faced), circa 1928


See Also

lamelancoly:

Hannah Höch- Zwei gesichtig (Deux confrontés/Two faced), circa 1928

See Also




archives-dada:

John Heartfield, Montage for Kurt Tucholsky, “Deutschland, Deutschland über alles“, Design for Page 101, Berlin, 1929
“Das? Das ist die Zeit: Sie sie schreit nach Satire” “That? That’s the Times: They Scream for Satire”

archives-dada:

John Heartfield, Montage for Kurt Tucholsky, “Deutschland, Deutschland über alles“, Design for Page 101, Berlin, 1929

“Das? Das ist die Zeit: Sie sie schreit nach Satire”
“That? That’s the Times: They Scream for Satire”




yama-bato, chagalov:

Hannah Höch with the puppets representing her daughters Pax and Botta, ca 1920 -by Willy Römer   [+]
from BPK, Berlin via RMN

yama-batochagalov:

Hannah Höch with the puppets representing her daughters Pax and Botta, ca 1920 -by Willy Römer   [+]

from BPK, Berlin via RMN




“Oh! do shit again!…
Oh! douche it again!…
RROSE SÉLAVY”
— 

Marcel Duchamp, in 391, n°18, 1er juillet 1924.

(via archives-dada)




calyx, museumuesum:










Hannah Hoch
 Bouquet Of Eyes, 1930
photomontage

calyxmuseumuesum:

Hannah Hoch

Bouquet Of Eyes, 1930

photomontage




From Hannah Höch’s Album, 1933
Also

From Hannah Höch’s Album, 1933

Also




From Hannah Höch’s Album, 1933

From Hannah Höch’s Album, 1933




archives-dada, juju-be-art:

Francis Picabia, Projet de couverture pour la revue Littérature, 1923, crayon et encre, Paris, Galerie 1900-2000.

archives-dadajuju-be-art:

Francis Picabia, Projet de couverture pour la revue Littérature, 1923, crayon et encre, Paris, Galerie 1900-2000.




archives-dada:

Man Ray, Marcel Duchamp photographié pour Obligation pour la roulette de Monte-Carlo, 1924, Centre Pompidou, Musée d’Art Moderne, Paris.

archives-dada:

Man Ray, Marcel Duchamp photographié pour Obligation pour la roulette de Monte-Carlo, 1924, Centre Pompidou, Musée d’Art Moderne, Paris.




“Thought is made in the mouth.” — 

Tristan Tzara, Dada Manifesto, 1918

(via frenchtwist)




Ceal Bryson and bull in a break during the filming of Hans Richter and Jean Cocteau’s 8 X 8: A Chess Sonata in 8 Movements, 1955-1957
Photograph by Arnold Eagle
(via rrosehobart, inneroptics)

Ceal Bryson and bull in a break during the filming of Hans Richter and Jean Cocteau’s 8 X 8: A Chess Sonata in 8 Movements, 1955-1957

Photograph by Arnold Eagle

(via rrosehobartinneroptics)