miss-catastrofes-naturales:

Duane Michals
Naked Nude (1982) +

miss-catastrofes-naturales:

Duane Michals

Naked Nude (1982) +




realityayslum:

Peter Sasgen 
Untitled (Female Nude), 1980

realityayslum:

Peter Sasgen

Untitled (Female Nude), 1980




Venus Callypique naar Derger by Rutger Ten Broeke, 1981 

Venus Callypique naar Derger by Rutger Ten Broeke, 1981 




Über den stuhl gelegt by Karin Szekessy, 1987 
(via grigiabot)

Über den stuhl gelegt by Karin Szekessy, 1987 

(via grigiabot)




Nude by Lee Friedlander, 1989
Also

Nude by Lee Friedlander, 1989

Also




Filmfinish by Paolo Gioli, 1986-1989

Filmfinish by Paolo Gioli, 1986-1989




Nonne (Nun) by Birgit Jürgenssen, 1980
(via les-sources-du-nil, bizarredisco)

Nonne (Nun) by Birgit Jürgenssen, 1980

(via bizarredisco)




Bondage by Leonor Fini, 1980 (illustration for Histoire d’O)
Also

Bondage by Leonor Fini, 1980 (illustration for Histoire d’O)

Also




Nude by Lee Friedlander, 1982
Also

Nude by Lee Friedlander, 1982

Also




grigiabot:

Polaroid by Andrei Tarkovski , 1979-84

grigiabot:

Polaroid by Andrei Tarkovski , 1979-84




vivipiuomeno:

zoom117, 1985 - Dominique Auerbacher ph

vivipiuomeno:

zoom117, 1985 - Dominique Auerbacher ph




Stills from Film Stenopeico by Paolo Gioli, 1974-1989

"This film, as the Vertovian title indicates, was made without a movie camera, more precisely with a device custom made to restore to images freedom from optics and mechanics. The act of substituting my device for a traditional movie camera is part of a project I have continued from that moment on towards weaning myself from a consumer technology, a toxin to pure creativity. This strange movie camera is a simple hollow metal tube, one centimeter thick, two centimeters wide, and a little more than a meter long. At the ends, two reels hold 16mm film. Film is pulled through manually causing alternations of time and space. The images enter simultaneously through 150 holes distributed along one side in proximity to each frame, that come to make up 150 tiny pinhole camera obscuras, also called stenopeic from the Greek stenos = narrow and from the stem op- from orào = to see. These tiny holes, when placed, for example, in front of a standing human figure, can explore it in its verticality but without any movement, which is appropriate since each hole will take in a single point, the detail in front of which the hole lies. One of the most obvious results will be to find oneself confronted precisely with a movement of the camera that never happened; somewhat magical pneumatic flutterings running longitudinally and transversally along a face and body reconstructed through 150 image points.”




frenchtwist:

Lisa Lyon by Robert Mapplethorpe, 1982
:
Lisa Lyon by Robert Mapplethorpe, 1982



realityayslum:

Thomas J. Young 
Presumpscot River, 1981

realityayslum:

Thomas J. Young

Presumpscot River, 1981




vivipiuomeno:

Paolo Gioli, tirées de l’exposition  Autoanatomie présentée au musée Réattu de Arles en août 1987

vivipiuomeno:

Paolo Gioli, tirées de l’exposition  Autoanatomie présentée au musée Réattu de Arles en août 1987