Vivian Maier

1. Self-Portrait (Car Window Reflection with Leaf), ca. 1967 
2. Self-Portrait, ca. 1960s
3. Self-Portrait (Antique Mirrors), 1973 
4. Self Portrait, Chicago, 1973 
5. Self Portrait, ca. 1960s
6. Self-Portrait (Window, Mirror Reflection), ca. 1960s
7. Self-Portrait (Shadow on Wood), ca. 1960s
8. Self-Portrait (Shadow and Kite), ca. 1960s

Also




Lilith by Ruth Francken, 1970

Lilith by Ruth Francken, 1970




miss-catastrofes-naturales:

Carolee Schneemann
Parallel Axis (1973)

miss-catastrofes-naturales:

Carolee Schneemann

Parallel Axis (1973)




vivipiuomeno:

Jan Saudek ph. - Jan’s Dream (fading legs) 77

vivipiuomeno:

Jan Saudek ph. - Jan’s Dream (fading legs) 77




Nude study by Anonymous, Beijing, China, 1970s




surrealist-phantoms:

Allen A. Dutton - Spider Woman Sun Worshipping, 1974

surrealist-phantoms:

Allen A. Dutton - Spider Woman Sun Worshipping, 1974




surrealist-phantoms:

Zofia Rydet
From World of Feelings and Imagination
Landscape Series, 1975-79

surrealist-phantoms:

Zofia Rydet

From World of Feelings and Imagination

Landscape Series, 1975-79




Nude from the series The Photo Story by by Kansuke Yamamoto, 1970
Also

Nude from the series The Photo Story by by Kansuke Yamamoto, 1970

Also




grigiabot:

Székessy Karin 
"2 Stühle, ein Mädchen mit weissem Kopftuch"; "Endbild" (VI). 1970s

grigiabot:

Székessy Karin 

"2 Stühle, ein Mädchen mit weissem Kopftuch"; "Endbild" (VI). 1970s




:
La Monnaie vivante by Pierre Klossowski and Pierre Zucca, 1970

Also



"When he was young, he could not imagine being old. And now that he is old, he cannot imagine ever having been young."
Duane Michals, 1979
Also

"When he was young, he could not imagine being old. And now that he is old, he cannot imagine ever having been young."

Duane Michals, 1979

Also




grigiabot:

Polaroid by Andrei Tarkovski , 1979-84

grigiabot:

Polaroid by Andrei Tarkovski , 1979-84




grigiabot:

Székessy Karin 
"2 Stühle, ein Mädchen mit weissem Kopftuch"; "Endbild" (VI). 1970s

grigiabot:

Székessy Karin 

"2 Stühle, ein Mädchen mit weissem Kopftuch"; "Endbild" (VI). 1970s




Louise by Guy Borremans, 1973

Louise by Guy Borremans, 1973




Stills from Film Stenopeico by Paolo Gioli, 1974-1989

"This film, as the Vertovian title indicates, was made without a movie camera, more precisely with a device custom made to restore to images freedom from optics and mechanics. The act of substituting my device for a traditional movie camera is part of a project I have continued from that moment on towards weaning myself from a consumer technology, a toxin to pure creativity. This strange movie camera is a simple hollow metal tube, one centimeter thick, two centimeters wide, and a little more than a meter long. At the ends, two reels hold 16mm film. Film is pulled through manually causing alternations of time and space. The images enter simultaneously through 150 holes distributed along one side in proximity to each frame, that come to make up 150 tiny pinhole camera obscuras, also called stenopeic from the Greek stenos = narrow and from the stem op- from orào = to see. These tiny holes, when placed, for example, in front of a standing human figure, can explore it in its verticality but without any movement, which is appropriate since each hole will take in a single point, the detail in front of which the hole lies. One of the most obvious results will be to find oneself confronted precisely with a movement of the camera that never happened; somewhat magical pneumatic flutterings running longitudinally and transversally along a face and body reconstructed through 150 image points.”