Photo reblogged from bits&bites with 354 notes
Myra Kinch *, a dancer/choreographer from Max Reinhardt’s theater, striking a dramatic pose in a hood-like mask. By unknown artist for Vanity Fair, c. 1932
from The Masquerade: Seduction and Subterfuge from Behind the Mask
Photoset reblogged from Poe's Mistress with 2,062 notes
Brassaï
City Cats, 1938
Escalier de Montmartre, Paris, 1932
Le Chat, 1945
City Cats II, 1938
City Cats III, 1938
Also
Photoset with 232 notes
Untitled (Woman profile and trees) / Photo synthesis (woman and trees) by Max Dupain, 1930s
Photo reblogged from Love Like Cancer with 585 notes
![kirgiakos:
Max Ernst - Une Semaine de Bonté [Dimanche] (c.1934)
collage / illustration](http://25.media.tumblr.com/5be70fe5798d9d26b5e76161f078b6d7/tumblr_mj01u5TjhN1qaaik3o1_500.jpg)
Max Ernst - Une Semaine de Bonté [Dimanche] (c.1934)
collage / illustration
Photoset with 105 notes
Dancer dancing, 1940s
Untitled (Dancers with light traces), 1940s
Untitled (Nude with light traces), 1938
Thanks to realityayslum for the link
Photo reblogged from the fascination of the absence of time with 96 notes
Max Ernst - from ‘Une semaine de bonté’, (1934) (via indypendent-thinking)
Source: indypendent-thinking
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