The Last Whisper - Paulina Otylie Surys for Rosemunda magazine
Poster designed by Marian Nowinski for Jaromil Jires’ Katapulta, 1985
q lazzarus- ‘goodbye horses (12” mix.)’
Heinrich Heidersberger for L’almanach Prisma, 1952 [crop]
Sayaka Maruyama - Japan Avant Garde, 2010
Vito Acconci - Conversions II: Insistence, Adaptation, Groundwork, Display, 1971.
From Photo Almanach Prisma, 1952
Mask by Toshiko Okanoue, 1952
Meret Oppenheim II by Man Ray, 1933
“The rims of his eyelids were burning. A blow received straightens a man up and makes the body move forward, to return that blow, or a punch-to jump, to get a hard-on, to dance: to be alive. But a blow received may also cause you to bend over, to shake, to fall down, to die. When we see life, we call it beautiful. When we see death, we call it ugly. But it is more beautiful still to see oneself living at great speed, right up to the moment of death. Detectives, poets, domestic servants and priests rely on abjection. From it, they draw their power. It circulates in their veins. It nourishes them.” — Jean Genet, Querelle
La Gaffeuse (The Blunderer) by Marcel Mariën, 1987
Label for Belle Haleine parfum, featuring Marcel Duchamp as his alter-ego, 1921 (Man Ray)
Great piece here about this particular piece, Duchamp in drag and his foray into the perfume business.
Illustration by Hans Bellmer from L’Anatomie de l’Image (Anatomy of the Image)
Dennis Hopper and Isabella Rossellini in Blue Velvet (David Lynch, 1986)
Untitled by Sanne Sannes, 1959-1964