She had a poor sense of direction and would awkwardly miss her mark when playing pin-the-tail-on-the-donkey.
From the series Re-Visions by Marcia Resnick, 1976-1977 
Also

She had a poor sense of direction and would awkwardly miss her mark when playing pin-the-tail-on-the-donkey.

From the series Re-Visions by Marcia Resnick, 1976-1977 

Also




billyjane:

Paris, 1937 by Ferenc Berko [also]

billyjane:

Paris, 1937 by Ferenc Berko [also]




1000 Mirrors ‐ Asian Dub Foundation & Sinead O Conner

Asian Dub Foundation (with Sinead O’Connor) - 1000 Mirrors




Vanessa Redgrave in The Devils (Ken Russell, 1971)
(via fuckyeahkenrussell, feedtheflies)

Vanessa Redgrave in The Devils (Ken Russell, 1971)

(via fuckyeahkenrussellfeedtheflies)




regardintemporel:

Pierre Molinier - Hanel Crucifiée, Performance de Hermann Nitsch, 1969

regardintemporel:

Pierre Molinier - Hanel Crucifiée, Performance de Hermann Nitsch, 1969




lauramcphee:

Stockings, 1929 (Bassano)

lauramcphee:

Stockings, 1929 (Bassano)




hoodoothatvoodoo:

Kansuke Yamamoto ‘A Chronicle of Drifting’

hoodoothatvoodoo:

Kansuke Yamamoto ‘A Chronicle of Drifting’




someghostsarewomen, vintagegal:

Conjoined twins Daisy and Violet Hilton on the set of Tod Browning’s Freaks (1932)

someghostsarewomenvintagegal:

Conjoined twins Daisy and Violet Hilton on the set of Tod Browning’s Freaks (1932)




“The cyborg is resolutely committed to partiality, irony, intimacy, and perversity. It is oppositional, utopian, and completely without innocence. No longer structured by the polarity of public and private, the cyborg defines a technological polls based partly on a revolution of social relations in the oikos, the household. Nature and culture are reworked; the one can no longer be the resource for appropriation or incorporation by the other. The relationships for forming wholes from parts, including those of polarity and hierarchical domination, are at issue in the cyborg world. Unlike the hopes of Frankenstein’s monster, the cyborg does not expect its father to save it through a restoration of the garden; that is, through the fabrication of a heterosexual mate, through its completion in a finished whole, a city and cosmos. The cyborg does not dream of community on the model of the organic family, this time without the oedipal project. The cyborg would not recognize the Garden of Eden; it is not made of mud and cannot dream of returning to dust. Perhaps that is why I want to see if cyborgs can subvert the apocalypse of returning to nuclear dust in the manic compulsion to name the Enemy. Cyborgs are not reverent; they do not re-member the cosmos. They are wary of holism, but needy for connection- they seem to have a natural feel for united front politics, but without the vanguard party. The main trouble with cyborgs, of course, is that they are the illegitimate offspring of militarism and patriarchal capitalism, not to mention state socialism. But illegitimate offspring are often exceedingly unfaithful to their origins. Their fathers, after all, are inessential.” — 

Donna Haraway, The Cyborg Manifesto: Science, Technology, and Socialist-Feminism in Late Twentieth Century, Routledge

(via heksenhausthemadwomanintheattic)




frenchtwist:
Untitled by Nobuyoshi Araki, 1985Also

frenchtwist:

Untitled by Nobuyoshi Araki, 1985

Also



realityayslum:

Mert Alas & Marcus Piggott - Untitled (Daphne Groeneveld). Gaultier, Parisiennes collection, haute couture fall / winter 2010-2011. Published in Vogue (Paris), October 2010.
… photograph taken yesterday at The Fashion World of Jean Paul Gaultier: From the Sidewalk to the Catwalk exhibit at the San Francisco De Young Museum. Hurry up if you haven’t seen the exhibit … ends soon (August 17th)

realityayslum:

Mert Alas & Marcus Piggott - Untitled (Daphne Groeneveld). Gaultier, Parisiennes collection, haute couture fall / winter 2010-2011. Published in Vogue (Paris), October 2010.

… photograph taken yesterday at The Fashion World of Jean Paul Gaultier: From the Sidewalk to the Catwalk exhibit at the San Francisco De Young Museum. Hurry up if you haven’t seen the exhibit … ends soon (August 17th)




svell:

Marina Abramovic, Golden dragon head, 1992.

svell:

Marina Abramovic, Golden dragon head, 1992.




Ma poupee japonaise by Mario Ambrosius
Also

Ma poupee japonaise by Mario Ambrosius

Also




lamelancoly:

Robert Heinecken, Cliche Vary: Lesbianism, 1974
see another verison :here (foxesinbreeches)

lamelancoly:

Robert Heinecken, Cliche Vary: Lesbianism, 1974

see another verison :here (foxesinbreeches)




regardintemporel:

Kattaryna Breaux - Surreal Reclining Nude 

regardintemporel:

Kattaryna Breaux - Surreal Reclining Nude