Untitled by Jean Rouet, 1960

Untitled by Jean Rouet, 1960




les-sources-du-nil:

Vincent Bergerat
"La présence"

les-sources-du-nil:

Vincent Bergerat

"La présence"




Balancing Unusual Objects on the Back of a Nude, No. 1 by Les Krims, 1971-1972

Balancing Unusual Objects on the Back of a Nude, No. 1 by Les Krims, 1971-1972




darksilenceinsuburbia, repulsion66:

José Barrias
Ciclo: Vestígios -

repulsion66:

José Barrias

Ciclo: Vestígios -




Campden Hill, London by Bill Brandt, 1977
Also

Campden Hill, London by Bill Brandt, 1977

Also




:
Hirsch (Deer) by Gerhard Richter, 1963-66

Art is the highest form of hope. -G.R.

Also



Louise by Guy Borremans, 1973

Louise by Guy Borremans, 1973




regardintemporel:

Miroslav Tichý

regardintemporel:

Miroslav Tichý




Untitled by Nobuyoshi Araki, 1993
Also

Untitled by Nobuyoshi Araki, 1993

Also




Formal Chair (Nude) by Eva Rubinstein, 1973

Formal Chair (Nude) by Eva Rubinstein, 1973




realityayslum:

Cirenaica Moreira
Entre Callar y Olvidar Hay Notable Diferencia, Yo Callare en Presencia, pero Olvidarte, Jamas (Between Silence and Forgetting There is a Notable Difference), c1999

realityayslum:

Cirenaica Moreira

Entre Callar y Olvidar Hay Notable Diferencia, Yo Callare en Presencia, pero Olvidarte, Jamas (Between Silence and Forgetting There is a Notable Difference), c1999




Pin-Up by Friedl Kubelka, 1974-1974

Also




vivipiuomeno:

Nàdia Maria  - Br - série Ad infinitum

vivipiuomeno:

Nàdia Maria  - Br - série Ad infinitum




Christa and Cara on Porch, Staatsburg, New York by George Holz, 2000
Also

Christa and Cara on Porch, Staatsburg, New York by George Holz, 2000

Also




les-sources-du-nil:

Sylvain Knecht (1914-2001)
"L’envers du décor", circa 1940

les-sources-du-nil:

Sylvain Knecht (1914-2001)

"L’envers du décor", circa 1940