Leonora Carrington by Lucero González, Mexico, D.F., 1994
Also

Leonora Carrington by Lucero González, Mexico, D.F., 1994

Also




gacougnol, mille:


House of Incest, Anaïs NinPhotomontage by Val Telberg

gacougnolmille:

House of Incest, Anaïs Nin
Photomontage by Val Telberg




firsttimeuser:

Magic Eye, 1950 by Wellington Lee

firsttimeuser:

Magic Eye, 1950 by Wellington Lee




Mito (Myth) by Flor Garduño, Switzerland, 2001

Mito (Myth) by Flor Garduño, Switzerland, 2001




“And the rest is rust and stardust.” — Vladimir Nabokov, Lolita


Sans titre by Hans Bellmer, 1936
Also

Sans titre by Hans Bellmer, 1936

Also




frenchtwist:



Shadow Puppet of a Deer by Henry Bursill, 1858Also

frenchtwist:

Shadow Puppet of a Deer by Henry Bursill, 1858

Also



Vertigo (Alfred Hitchock, 1958)

Vertigo (Alfred Hitchock, 1958)




regardintemporel, museumuesum:



Marcel Marien
Pair of Shoes Climbing a Staircase, 1949
gelatin silver print, 12.7 x8.8 cm (5 x 3 7/16 inches)

regardintemporelmuseumuesum:

Marcel Marien

Pair of Shoes Climbing a Staircase, 1949

gelatin silver print, 12.7 x8.8 cm (5 x 3 7/16 inches)




lamelancoly:



China Hamilton -Portraits érotiques , Masqued Woman III ,  1960-1970
via Piasa Auction

lamelancoly:

China Hamilton -Portraits érotiques , Masqued Woman III ,  1960-1970

via Piasa Auction




Nóż (The Knife) by Zdzisław Beksiński, 1950s

Nóż (The Knife) by Zdzisław Beksiński, 1950s




liquidnight:



Jean Dieuzaide
Dalila, 1970
From Jean Dieuzaide: Yan

liquidnight:

Jean Dieuzaide

Dalila, 1970

From Jean Dieuzaide: Yan




Self-Portrait by Luciano Castelli, 1973

Self-Portrait by Luciano Castelli, 1973




“Apparently Arab scholars, when speaking of the text, use this admirable expression: the certain body. What body? We have several of them; the body of anatomists and physiologists, the one science sees or discusses: this is the text of grammarians, critics, commentators, philologists (the pheno-text). But we also have a body of bliss consisting solely of erotic relations, utterly distinct from the first body: it is another contour, another nomination; thus with the text: it is no more than the fires of language. …Does the text have human form, is it a figure, an anagram of the body? Yes, but of our erotic body. The pleasure of the text is irreducible to physiological need. The pleasure of the text is that moment when my body pursues its own ideas — for my body does not have the same ideas I do.” — 

Roland Barthes, The Pleasure of the Text (Le Plaisir du texte), 17.

(via landlessnessonegirlrhumba)




Peter Martin for Figure #1, 1951 [crop]
Also

Peter Martin for Figure #1, 1951 [crop]

Also