Black Cats by Alex Howitt
Anna Karin posing with various polyurethane sculptures in Szapocznikow’s Malakoff studio, Paris, 1968
Ambivalence by Atsushi Tani
“Little girls, this seems to say,
Never stop upon your way.
Never trust a stranger-friend;
No one knows how it will end.
As you’re pretty, so be wise;
Wolves may lurk in every guise.
Handsome they may be, and kind,
Gay, or charming never mind!
Now, as then, ‘tis simple truth—
Sweetest tongue has sharpest tooth!” — Charles Perrault, Little Red Riding Hood
From Perrault’s Fairy Tales
La religieuse, Jacques Rivette, 1966
dark part of my soul
shivers. You don’t want to know more
about this.” —
Mary Oliver, from “Every Morning”
Untitled by Francesca Male
Coeur Fidèle (Jean Epstein, 1923)
Jean Moral for the Diana Slip Co., c. 1930s
Used for this collage for Emilie vient à moi en rêve (Emilie comes to me in a dream) by Jindřich Štyrský?
Clip #18088 from the Turconi Collection: Barbe bleu (Pathé Frères, 1907)
This database is a record of the 35mm decomposed nitrate film frame clippings collected by Italian film historian Davide Turconi (1911-2005) from the Josef Joye Collection in Switzerland and from other unidentified sources. The collection consists of 23,491 clippings in total (usually two to three frames each). The vast majority of the frames cover the early years of cinema (from ca. 1897 to 1915); however, some items in the collection represent films produced as late as 1944.
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Via 50 Watts
Bird Transformation by Ana Mendieta, 1972
David Lynch - De la série ” Nudes and Smoke “