Untitled by Sanne Sannes, 1959-1964
Also

Untitled by Sanne Sannes, 1959-1964

Also




surrealism:

Etude d’après La mitrailleuse en état de grâce (A study of a machine gun in a state of grace) by Hans Bellmer, c.1962. crayon and colored pencil on paper, 21.9 × 16.8 cm.

surrealism:

Etude d’après La mitrailleuse en état de grâce (A study of a machine gun in a state of grace) by Hans Bellmer, c.1962. crayon and colored pencil on paper, 21.9 × 16.8 cm.




Lisa from Eros by Timothy White

Lisa from Eros by Timothy White




kirgiakos:

via.nearlya:

John Stezaker. Mask XIII, 2006

kirgiakos:

via.nearlya:

John Stezaker. Mask XIII, 2006




Louise by Guy Borremans, 1973

Louise by Guy Borremans, 1973




regardintemporel:

Tom Millea - Body-Tights, 1991

regardintemporel:

Tom Millea - Body-Tights, 1991




Stills from Film Stenopeico by Paolo Gioli, 1974-1989

"This film, as the Vertovian title indicates, was made without a movie camera, more precisely with a device custom made to restore to images freedom from optics and mechanics. The act of substituting my device for a traditional movie camera is part of a project I have continued from that moment on towards weaning myself from a consumer technology, a toxin to pure creativity. This strange movie camera is a simple hollow metal tube, one centimeter thick, two centimeters wide, and a little more than a meter long. At the ends, two reels hold 16mm film. Film is pulled through manually causing alternations of time and space. The images enter simultaneously through 150 holes distributed along one side in proximity to each frame, that come to make up 150 tiny pinhole camera obscuras, also called stenopeic from the Greek stenos = narrow and from the stem op- from orào = to see. These tiny holes, when placed, for example, in front of a standing human figure, can explore it in its verticality but without any movement, which is appropriate since each hole will take in a single point, the detail in front of which the hole lies. One of the most obvious results will be to find oneself confronted precisely with a movement of the camera that never happened; somewhat magical pneumatic flutterings running longitudinally and transversally along a face and body reconstructed through 150 image points.”




From Shi-Shashin by Nobuyoshi Araki, 1994
(via gouldbookbinder)

From Shi-Shashin by Nobuyoshi Araki, 1994

(via )




Untitled by Noriaki Maeda
Also

Untitled by Noriaki Maeda

Also




frenchtwist:

Lisa Lyon by Robert Mapplethorpe, 1982
:
Lisa Lyon by Robert Mapplethorpe, 1982



From Woman Ajar by Marcel Mariën
Also

From Woman Ajar by Marcel Mariën

Also




les-sources-du-nil:

Jean Ledru
"Donner à voir", circa 1965

les-sources-du-nil:

Jean Ledru

"Donner à voir", circa 1965




Astronomía Corporal by Pedro Tzontémoc, Mexico 2000 




realityayslum:

Thomas J. Young 
Presumpscot River, 1981

realityayslum:

Thomas J. Young

Presumpscot River, 1981




A Mutual Resentment by Brooke Diderato

A Mutual Resentment by Brooke Diderato