mapetitemelancolie:

Comte de Dalmas- Nu, [ Motif décoratif pour chapelle Funéraire] Héliogravure , 1924

mapetitemelancolie:

Comte de Dalmas- Nu, [ Motif décoratif pour chapelle Funéraire]
Héliogravure , 1924




Asleep ‐ The Smiths

The Smiths - Asleep




Noé Sendas

Crystal Girl Nº 23, 2013
Crystal Girl Nº 27, 2011 
Crystal Girl Nº 25, 2010

Also




dusdin, shewearsbluevelvet:

me by Dusdin Condren

dusdinshewearsbluevelvet:

me by Dusdin Condren




From Obsession by Bob Carlos Clarke, Alexander Mosley Publications, 1981
Via Au carrefour étrange
Also

From Obsession by Bob Carlos Clarke, Alexander Mosley Publications, 1981

Via Au carrefour étrange

Also




frenchtwist:

Le chat surpris, Gordes (Vaucluse) by Willy Ronis, 1951Also

frenchtwist:

Le chat surpris, Gordes (Vaucluse) by Willy Ronis, 1951

Also



Kaori by 20X24 (Instant Film) by Nobuyoshi Araki [crop]

Also




“Love is distinct from desire… Because its aim is not satisfaction, but being.” — 

Jacques Lacan, Seminar I, trans. John Forrester

(via proustitute)




regardintemporel:

Cannon Bernáldez

regardintemporel:

Cannon Bernáldez




Untitled by Mariana Castro

Also




raveneuse:

Masahisa Fukase, Ravens, Kanazawa, from the series, “The Solitude of Ravens”, 1978.

raveneuse:

Masahisa Fukase, Ravens, Kanazawa, from the series, “The Solitude of Ravens”, 1978.




Easygoing Girls by Tono Stano, 1986
Also

Easygoing Girls by Tono Stano, 1986

Also




From Map of Labyrinth by Kansuke Yamamoto, 1950
Also

From Map of Labyrinth by Kansuke Yamamoto, 1950

Also




Dubbeldruk by Esther Elenbaas-de Hartog, 1953-1955

Dubbeldruk by Esther Elenbaas-de Hartog, 1953-1955




frenchtwist:

Lightning Fields by Hiroshi Sugimoto, 2008

Sugimoto’s “Lightning Fields” depict electricity, an element that — especially for photographers working with large-format negatives — has historically been problematic and uncontrollable. Static electricity is well known to scar photographers’ negatives, and consequently to destroy their images. (This is one reason why carpets are not installed in darkrooms.) Viewing the challenge as an opportunity rather than a problem, Sugimoto has inverted the process and made nature’s static scars the focus of his attention.

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